Showing posts with label shakespeare. Show all posts
Showing posts with label shakespeare. Show all posts

Monday, 23 March 2015

23 March 1430: The Birth of Margaret of Anjou, Queen of England




Above: Queen Margaret of Anjou. 


On this day in history, 23 March 1430, Margaret of Anjou was born at Pont-a-Mousson in Lorraine to Rene of Anjou and his wife Isabella, duchess of Lorraine. Rene was titular king of Naples, Jerusalem, and Aragon, and duke of Anjou, Bar, Lorraine, count of Provence and count of Piedmont. Despite his claims to many kingdoms, Rene was unfavourably known as 'a man of many crowns but no kingdoms'. Margaret was the couple's fourth child and second daughter, and spent her childhood at the beautiful castle of Tarascon in southern France and in the old royal palace at Capua, near Naples. Contemporary observers described her in her youth as beautiful, dignified and graceful. 

In April 1445, at the age of fifteen, Margaret married Henry VI of England and became England's queen. The marriage sought to achieve peace between the warring kingdoms of England and France, with the hope being to bring to a conclusion the brutal conflict known as the Hundred Years War. Although Margaret symbolised hopes of peace and prosperity, the marriage was not popular in England, for the bride brought no dowry, while the cessation of Anjou and Maine to Margaret's father and the king of France caused outrage and dismay. Margaret has traditionally been interpreted by historians as a cunning and avaricious meddler in politics, responsible for urging her husband to cede the kingdoms to the French, but Helen Maurer's careful research has called into question this view. Given that Margaret was only in her teenage years, in a strange land, when Anjou and Maine were ceded, it does seem unlikely that she was responsible for what took place.

Margaret's position would have been secured early on had she given birth to a son with which to secure the succession, but this was only accomplished eight years after her marriage, when her son Edward was born in October 1453. His birth could not have occurred at a worse time: several months earlier, Henry VI suffered a complete breakdown and was thought to have gone insane. He may have been suffering from a form of schizophrenia. Margaret's position became uncertain as the government fell into crisis. She did not become regent and, contrary to popular belief, did not espouse an aggressive stance towards the duke of York, who became Protector at this time. Indeed, she appears to have been content to cooperate with him and was on good terms with his wife, Cecily Neville.

King Henry VI from NPG (2).jpg
Above: Henry VI.

Margaret has tended to be characterised negatively as a vengeful, aggressive, merciless and cruel woman who was responsible for the outbreak of the Wars of the Roses by virtue of her partisan favour of the earl of Suffolk and the Duke of Somerset. She is often interpreted as the leader of a court party that was corrupt, decadent and wasteful, causing damage to the kingdom and tensions in society at large. This unfair portrayal of the queen has been encouraged by Shakespeare's portrayal of her as a she-wolf. The real Margaret of Anjou was almost certainly not the evil villain of legend. She was a pragmatic, intelligent and courageous woman who fought ardently to protect her son's inheritance and to safeguard her husband's position as king. It was hardly her fault that she was married to a weak and inept king unable to control factional discontent or rule with a steady hand. Margaret's attempt to provide strong governance caused anger and dismay, given that her role in English politics threatened to unsettle the established gender order. However, with the benefit of hindsight, we can appreciate the impossible situation Margaret found herself in, and admire her brave attempts to restore her deposed husband to the throne. She was not a she-wolf, but neither was she a saint. Rather, she is someone to be admired, respected and appreciated for her courage, pragmatism and devotion to her husband and son.

Monday, 24 March 2014

24 March 1603: The Death of Elizabeth I



On this day in history, 24 March 1603, arguably England's greatest queen if not monarch Elizabeth I died at Richmond Palace, six months before her seventieth birthday. Elizabeth had perhaps suffered from depression since about 1601, the year her former favourite Robert Devereux, Earl of Essex, was executed for treason. The deaths of close friends such as Katherine Howard, Countess of Nottingham, and loyal advisers such as William Cecil, Lord Burghley, probably contributed to the Queen's low moods and depression. Certainly, the last two or three years of her reign were, by the standards of Gloriana's Golden Age, uninspiring; even pessimistic.

In January 1603, as Tracy Borman in her successful Elizabeth's Woman notes, Elizabeth made the decision to move to Richmond Palace out of consideration for her rapidly declining health. Richmond Palace occupied a special place in the heart of the Tudors: it had been Henry VII's favourite palace. In March that year, however, the Queen fell into what Black terms "settled and unremovable melancholy". The Queen refused, however, to retire to bed; perhaps because she feared never waking up. When Robert Cecil, son of Lord Burghley and Elizabeth's chief minister, entreated his mistress to go to bed, she retorted charismatically: "the word must is not to be used to princes.. little man. Ye know I must died, and that makes ye so presumptuous". Obviously, Elizabeth's sharp tongue hadn't deserted her even on the brink of death!

Elizabeth did, however, eventually agree to retire to her bed and by 23 March it was clear that death was imminent. Archbishop Whitgift visited his mistress and entreated her to name her successor, an act she had famously refused to do for nearly five decades. She gestured with her hands, however, to signal that she agreed that James VI of Scotland, son of her former arch-enemy Queen Mary Stuart, should become king of England on her death. Between two and three in the morning the next day, the Queen died. John Manningham recorded poetically:

"This morning, about three o'clock her Majesty departed from this life, mildly like a lamb, easily like a ripe apple from a tree... Dr Parry told me he was present, and sent his prayers before her soul; and I doubt not but she is amongst the royal saints in heaven in eternal joys".


Above: Bette Davis as Elizabeth I. (left)
A more controversial portrayal. Cate Blanchett in "Elizabeth" (1998).

Historians speculate as to the cause of Elizabeth Tudor's death in 1603. Obviously, dying aged sixty-nine, she had lived to a great age most of her subjects never attained. G. J. Meyer suggests that the Queen could have died of anything of the following: bronchial infection that developed into pneumonia; streptococcus; the failure of one of her vital organs; or poisoning from ceruse (the mixture she used as her make-up). Meyer does agree, however, that the Queen's depression probably worsened whatever it was she was suffering from. On 28 April 1603, Elizabeth's funeral took place and she was interred in Westminster Abbey in a tomb to be shared with her infamous elder sister Mary I. The chronicler John Stow reported of the crowds gathered at the former Queen's funeral procession: "...there was such a general sighing, groaning and weeping as the like hath not been seen or known in the memory of man". England's great queen had died, bringing to an end the rule of the Tudors - England's ruling dynasty since 1485 - and perhaps the Golden Age.



Above: Elizabeth I's parents. King Henry VIII (1491-1547) and Queen Anne Boleyn (c.1501x1507-1536).

Elizabeth has regularly been viewed as England's greatest monarch. Her reign ushered in a Golden Age, when England's literary, artistic and musical achievements flourished and established it as a real player in European cultural exchange. Elizabeth's defeat of the Armada and her relative religious tolerance were both achievements that have been long appreciated by historians. A charismatic and yet mysterious woman, she remains a hugely popular subject among biographers, historians, filmmakers, dramatists, and novelists. It is perhaps Elizabeth's glamour that most appeals to a modern audience today. But it is perhaps the Queen's tolerance and desire for peace that most marks her out, in an age in which political and religious violence was endemic and monarchs frequently intolerant towards subjects they regarded as heretical or dissenting. As the Queen herself stated:

"...when wars and seditions with grievous persecutions have vexed almost all kings and countries round about me, my reign hath been peaceable, and my realm a receptacle to thy afflicted Church. The love of my people hath appeared firm, and the devices of my enemies frustrate".

It is also the mystery of Elizabeth that appeals. We don't know what she really looked like - her portraits were strictly controlled and censored by the government, and produced a prototype of how the Queen wished to appear rather than presenting what she viewed as unfavourable - and perhaps more truthful - renditions of her appearance. We do not know how she felt about her mother, Anne Boleyn. We do not know why she never married. We do not know her true attitudes to Mary Queen of Scots or her sister Mary. Perhaps most controversially of all, we do not know if she truly was a virgin queen. It is this mystery, glamour and charisma of Queen Elizabeth I that continues to make her such an exciting figure to study; especially in view of the cultural, political, religious and social achievements achieved in her reign as "Gloriana".

Saturday, 27 April 2013

Richard III: Life and Legacy



ANNE: Never hung poison on a fouler toad.
Out of my sight. Thou dost infect mine eyes.
RICHARD: Thine eyes, sweet lady, have infected mine.

William Shakespeare, Richard III (1592)

This month, the BBC announced that relatives of Richard III, England's last medieval king, are launching a legal challenge over plans to bury him in Leicester Cathedral. The mooted burial place of England's most controversial king have inspired furious debate amongst devoted Ricardians, academics, and the general public as a whole, following the sensational news that the body unearthed in a Leicester priory was really that of the defamed king, killed at the Battle of Bosworth in August 1485. The Plantagenet monarch's supporters commonly believe that Richard should instead be buried at York Minster, due to Richard's strong associations with the North - where he was much esteemed - during his lifetime.

In an article I wrote earlier this year for my university newspaper, which can be accessed here (http://xmedia.ex.ac.uk/wp/wordpress/?p=6591), I explored the brief outline of Richard's controversial life and the sensational legacy he continues to exert today in modern Britain. How controversial Richard's life and legacy really are can be glimpsed in the March 2013 issue of BBC History Magazine, where academics differed wildly from one another in their judgements of Richard. Chris Skidmore, MP and historian, insists that Richard deserves a state funeral, in order for people to 'reassess' this maligned monarch. Nigel Saul, respected medieval scholar, suggests that the bones of the two sons found in the Tower should be DNA-tested in order to see if they really are those of Richard's nephews. Nigel Jones is especially vehement in wishing 'that the strange cult of this murderous little tyrant would also lie down and die', and insists that he should remained buried in a Leicester car park due to his status as 'a serial-killing child murderer', while Alison Weir agrees somewhat, noting that 'his bad press was probably well deserved'. Yet Phil Stone, chairman of the Richard III Society, strongly disagreed, instead hoping that 'people will start to read about this monarch who did much for this country'.

The sensational nature of Richard III's reign and comparatively short life have meant that he has left a long-lasting legacy in Britain today comprised of controversy and mystery, which ferociously divide those who believe he is a victim of cruel Tudor propaganda and those who, like Nigel Jones, view him as the epitome of evil. This conflict was witnessed during Richard's own lifetime. John Rous, a medieval English historian writing in the fifteenth century, praised Richard as a 'good lord' who punished 'oppressors of the commons', and insisted that he had 'a great heart'. Certainly, Richard's excellent reforms of the English legal system and his desire to provide aid for the poor are well recognised by medieval historians. But the bloody death of Richard at Bosworth Field, and the subsequent triumph of the Tudors, blackened Richard's name beyond redemption. Notoriously, Shakespeare depicted him as deformed, cruel, scheming and evil, stopping at nothing - not even poison and murder - to achieve his ambitions. Thomas More condemned Richard, portraying him as 'little of stature, ill-featured of limbs, crook-backed... hard-favoured of visage', while Polydore Vergil opined that he was 'deformed of body... one shoulder higher than the right'. For years, devoted Ricardians insisted that this was all nonsense, designed to tarnish the king's reputation beyond redemption, but the unearthing of Richard's body at Leicester goes some way to proving that these writers were truthful in their claims.

However, praise remained for Richard in the early modern period. The late Elizabethan historian William Camden praised his 'good laws', although remarking that he had 'lived wickedly'. Francis Bacon concurred, suggesting that he was 'a good lawmaker for the ease and solace of the common people'. Again, therefore, we can see that while Richard may have alienated nobles and the elites at court, he was popular among the common people for his successful reforms and desire to improve their lot. During the eighteenth and nineteenth centuries, contrastingly, the depiction of Richard as evil and corrupt became the dominant description. David Hume castigated his 'fierce and savage nature'; he had 'abandoned all principles of honour and humanity'. Respected historian James Gairdner believed that Shakespeare and More's views of the king, while exaggerated, were essentially correct. Twentieth century historians have arguably become fairer in their assessments, focusing less on Richard's moral qualities, with Charles Ross believing that 'like most men, he was conditioned by the standards of his age'. Yet other writers, such as Weir, believe that he was highly corrupt and believe that he was responsible for the murder of his nephews, the 'Princes in the Tower', in 1483.

As proof of the controversy and passionate emotions Richard inspires today, I received several comments on my article insisting that Richard could not have been responsible for that heinous crime, the murder of his nephews - the disturbing event which has overshadowed all other events of his short but bitter reign. This has been disputed ferociously by historians, scholars, playwrights, novelists, film-makers, and a host of other professionals to this day. Katherine Emery, fellow student at Exeter, explored who may have been responsible for the murder of the Princes in the March 2013 issue of The Historian, sifting through a variety of evidence which could point towards the murderers being either Richard, Henry VII, the Duke of Buckingham, or Margaret Beaufort. But she concluded that evidence overwhelmingly suggested that Richard was indeed responsible for his nephews' deaths.

On a balance of probabilities, I agree that Richard is the most likely culprit for his nephews' deaths (but that is not to say that he physically killed them himself!) One of the most commonly raised arguments, but one that I wholeheartedly agree with, is that if the Princes were still alive after 1483, why did the King never produce them in London publicly to counter harsh criticism and increasing suspicion that he had murdered them? Henry VII was to do a similar thing during his reign with a pretender who challenged his throne. Rumours swirled in London during Richard's reign that he had 'put to death the children of King Edward, for which cause he lost the hearts of the people.' In Danzig, Caspar Weinreich's contemporary chronicle recorded that 'Later this summer, Richard, the King's brother, had himself put in power... and he had his brother's children killed'. The Croyland Chronicler, who was in fact a royal councillor at court, later wrote that 'the children of King Edward', were 'avenged' at Bosworth through Richard's death. The evidence is convincing.

Richard's reputation was blackened, it would seem, almost beyond repair by other disturbing allegations about him during his own lifetime. Following his queen Anne Neville's premature death in March 1485, it was believed that Richard had murdered her, perhaps by poisoning her, in order to marry his own niece Elizabeth of York. Richard was also condemned for his savage treatment of Hastings, executing him before his coup in 1483, and later ordered the execution of his most erstwhile supporter the duke of Buckingham for rebelling against him. While the rumours about Anne are almost certainly scurrilous, the other charges are correct. If Richard was not the poisonous, cruel, murderous tyrant immortalised in Tudor propaganda, he was certainly scheming, ruthless, and desperate to retain his power at all costs.

Richard's controversial life and sensational legacy will mean that he will always provoke fierce debates and bitter beliefs. But where should the king be buried? Since he was extremely popular in the North, and enjoyed considerable success there, perhaps it is only right that he should be buried at York Minster. The Queen has made it discreetly clear that she will not tolerate a state funeral in Westminster Abbey, which many people seem to agree with. But, although he remains tainted with the crime of murder (including of children), it seems clear that York Minster is the most fitting place for this king to be buried - particularly if it, finally, ends the tiring debates as to where his final resting place should be.

Thursday, 21 March 2013

Margaret of Anjou - "She-Wolf"?


Stupidly, I've recently gone crazy with buying books - I currently have about 30 which need reading, 6 of which I'm trying to get through from the university library. As a history student, unfortunately, I get so passionate about wanting to discover the past that I feel I have to read constantly, and I've got this notion into my head that I need to know about every period and nation, not just early modern England. Anyway, I thought I'd post on someone who's fascinated me for a long time now, Margaret of Anjou, the subject of one of those said books I've taken out from the library.

Studying A Level Tudor History, with one module on the Wars of the Roses during the period 1450-1485, was incredible to me in allowing me to discover some of the most extraordinary women who lived in that period: Elizabeth Woodville, Margaret Beaufort, and of course, Margaret queen of England herself. Taking for this blog's post the book Margaret of Anjou: Queenship and Power in Late Medieval England by Helen E. Maurer, this post will explore Margaret's controversial but remarkable life as wife of the notoriously inept Henry VI of England. Was she the 'she-wolf' immortalised by Shakespeare's compelling lines? Or was she a powerful political player who genuinely sought to bring a measure of stability to a faction-ridden and corrupt English court?


Maurer makes the very true point when starting her book that the likes of Shakespeare have influenced our understandings of Margaret as 'a vengeful and a violent woman', 'a bitch, an adulterous she-wolf who mocks her captive enemy, Richard, duke of York, before killing him in cold blood'.[1] More to the point, Maurer insists that since Shakespeare, most modern historians have generally agreed with his verdict of Margaret, though recognising the inaccuracies and exaggerations which plague his play. Maurer laments that serious academics have spoken of ‘the queen’s harsh determination’, her ‘unforgiving severity’ towards the Yorkists.[2] One cannot but agree with Maurer when she notes somewhat ironically that this fails to take into consideration Margaret’s incredible leadership and political abilities at an unstable court. But there is a likely reason for such harsh judgments persisting in relation to this late medieval queen: ‘until quite recently all western history was male-centered as a matter of course. The problem that this poses for the inclusion and study of anachronistically prominent women is that they have had to be fitted into male standards and constructs, present as well as past. The result too often has been judgment rather than analysis’.[3]

This, of course, is true in relation to other queens of this period. Retha M. Warnicke critically notes that, writing of Anne Boleyn, ‘in histories that treat men as three-dimensional and complex personalities, the women shine forth in universal stereotypes: the shrew, the whore, the tease, the shy virgin, or the blessed mother’.[4] Similarly, Katherine Howard, who supposedly deviated from notions of the ideal woman in early modern England, was condemned as a whore and traitoress and suffered execution for it.[5] In view of this, Maurer’s insistence that we utilise gender as a central historical category of analysis is compelling: ‘just as the addition of gender helps to make the political story clearer, so the chaotic political history of the Wars of the Roses cast the gender issues into high relief’.[6]
In view of this, this article will attempt to survey the events (diplomatic, political, social, factional) of Margaret’s life through a gendered framework, paying critical attention to the difference her sex made and notions of the female sex. This is essential since ‘in order to move beyond the traditional picture of Margaret’s activities (ie. which eventually condemn her as an adulteress, a shrew and a she-wolf), the very real issue of gender must be engaged’.[7]

Born in March 1430 to RenĂ©, duke of Anjou and his wife Isabelle daughter and heir of Charles II duke of Lorraine, Margaret was born into a prominent European royal family during this period and thus, in the words of Diana E. S. Dunn, ‘destined her from birth to be a pawn in the complexities of European diplomacy’.[8] European politics governed Margaret’s course of life, which must be considered from both French and an English perspective. In terms of England, Henry VI had acceded to the throne in 1422 aged just nine months following the death of his renowned father Henry V, who had brought prestige and glory to the English crown through his military victories abroad and his claims to the crown of France. This, however, provided a situation of conflict, crisis and factional discontent, a common occurrence when a minor acceded to the crown. Henry, having reached his majority, sought a bride in the early 1440s; an essential element of kingship was the fathering of a male heir who could then succeed his father peacefully following his father’s death. It is not surprising that Henry sought a French princess as his bride – the majority of queens since the Norman Conquest in 1066 had been of the French royal house.[9] Yet this did occur at a time when English dominance in France was slowly fading, since the French had managed to recover some English-held territory while attempts to achieve a settlement between the powers failed.

In terms of Margaret’s perspective, the marriage alliance with England represented a prestigious match for Margaret’s father, while it also brought a fundamental source of influence at the English court to the French monarch Charles VII. Margaret was able to bring important links with parts of the French kingdom, including the duchies of Lorraine and Bar, although her dowry was ‘meagre’.[10] Yet the English desire to effect an alliance with France probably dispelled any annoyance at the prospective queen’s unremarkable dowry.

How Margaret felt about her prospective bridegroom, Henry VI, we cannot tell. She may have held a negative opinion about his father, Henry V, gained from stories of his exploits in France and his undermining of the French kingdom during the early fifteenth century. Nonetheless, the opportunity to become queen of England was a significant and exciting one, and probably the best match she was ever likely to make. In 1445, aged fifteen – this youthful age was not seen as representing particular problems; Isabella of France had wed Richard II aged twelve, while Katherine Howard may have been only around fifteen at marriage – Margaret arrived in England and in May the king presented her with jewels fit for a queen, before marrying Henry at Titchfield Abbey and being crowned on 30 May in Westminster Abbey. [11] Margaret was later described as being ‘a most handsome woman, though somewhat dark and not so beautiful’ as Bianca Maria Visconti, duchess of Milan, although she had very long hair worn loose at her coronation.[12] Margaret was well aware of the duties she was expected to fulfil as queen: namely, produce a male heir in order to ensure the continuation of the Lancastrian dynasty, and to bring political and social stability to a faction-ridden and economically unstable kingdom. It is unsurprising, in view of this, that there was considerable hope and expectation at the royal wedding.

Margaret was granted 10,000 marks per annum as the new queen of England by parliament in March 1446, and estates worth £2000 per annum were settled on her from the duchy of Lancaster.[13] As has been noted in relation to Anne Boleyn, Margaret’s elevated status had meant she became a woman of considerable economic power as a landowner and a source of patronage in the English court.[14] Margaret’s marriage was initially successful, and she was a strong queen consort. However, her inability in the early years of her marriage to Henry VI to produce a son must have caused considerable concern at the court. Whether or not this was Margaret’s fault is impossible to discern. Viewing her life through a gendered framework, it is plausible to argue that, by virtue of their sex, failures in pregnancy were attributed to queens, as seen in the case of Henry VIII’s queens. Despite this, she was a strong figure, ‘a determined and effective distributor of patronage, and a woman concerned for the welfare of her household servants’.[15] Evidence of her patronage exists in her founding Queen’s College, Cambridge in 1448, shortly after her husband’s foundation of King’s College. Her excellent upbringing as a princess of the royal house of France undoubtedly benefited her, allowing her to act in her role with dignity, compassion and political sense. Yet unsettling events in her adopted country were soon to threaten Margaret’s stability as queen.

In April 1453, famously, Henry VI collapsed with a very serious physical and mental illness, commonly believed by historians to have been schizophrenia. This was highly unfortunate, for Margaret had fallen pregnant that year, and when in March 1454 her son Edward was born, the king was unable to recognise him. In view of both her son’s birth and her husband’s mental collapse, Margaret ‘was forced into the centre of the political arena, as control of her husband and son became the focus of competing groups among the nobility’.[16] We therefore must reconsider our interpretation of Margaret’s character and behaviour in view of these events. The argument that she was a cold and ruthless ‘she-wolf’ who ambitiously sought power and political advantage for both herself and her ‘party’ at court is nonsensical in view of the events which occurred in 1453-4. By stepping into the centre of power, Margaret was acting logically and common sensically, determined to preserve her lineage and ensure the position of her husband the king was not undermined further. We should recognise these actions as courageous and representative of a strong woman acting on her own in a ruthless court which viewed ruling women in a hostile manner. Of course, contemporary gender beliefs among courtiers did not lead to this view, and beginning with these events, Margaret became increasingly unpopular. Her bid for the regency failed, and Richard duke of York, later her enemy, filled that position instead.

Margaret probably viewed York as a very serious threat to her son’s position, for royal blood flowed in the veins of York and his family. Yet it is unlikely that there had been long-standing hostility and hatred between the two, as Dunn makes clear. Of course, factional discontent intensified following York’s appointment, culminating in the first Battle of St Albans in 1455 whereby Margaret’s ally, the duke of Somerset, was murdered, and York’s party emerged triumphant. However, York was forced to resign the protectorate in 1456, allowing Margaret to regain a sense of political authority within the English court. She and Edward departed from London to take up residence in Kenilworth, before being joined in August by the king, who later recovered miraculously from his illness. Margaret played a strong and active role in her son’s household, controlling appointments to his council and ensuring that her supporters within the Lancastrian monarchy filled vital roles. A reconciliation between the Yorkists and Lancastrians was sought by King Henry in 1458, known as the ‘Loveday’, where the queen was to walk with her enemy York hand-in-hand in a procession in the streets of London. However, it was nothing but a sham, and factional discontent had worsened by spring 1459.

Further battles, in what became known as the Wars of the Roses, occurred shortly afterwards, which Margaret was to play a prominent role in – allegedly, she watched the battle of Bloreheath from Mucklestone church tower, a story which Dunn dismisses as false.[17] Nonetheless, it does indicate that Margaret had taken over the reins of the Lancastrian government in this period of time following her husband’s intermittent illnesses and his ever-present political weaknesses and ineptitude. Following Henry’s capture at Northampton in 1460, Margaret and her son fled to Scotland, and following the Yorkists’ victory at Towton in 1461, which culminated in the accession of Edward IV, the Lancastrian royal family again fled to Scotland for safety.

The next 10 years saw Margaret attempting to regain the crown, which she saw as rightfully hers. Contemporaries, who resented powerful women in prominent government positions, characterised her as scheming and ruthless, but a more nuanced position allows us to view her efforts as commendable, in a way similar to those of Katherine of Aragon’s some seventy years later although in an entirely different context: she believed that she and her husband were the rightful king and queen of England, and she was determined to preserve her family’s inheritance. While prominent nobles, such as Somerset, Exeter and Pembroke remained loyal to the Lancastrians, a lack of money and committed political backing severely hampered Margaret’s efforts to regain the crown.


In 1462, Margaret and her son departed for France, perhaps hoping for more effective aid there. A meeting with the French king Louis XI was fairly successful: Margaret promised to renounce Calais to the French in return for a loan of 20,000 francs. A mutual friendship was later signed. Yet the period 1463-1468 was a dismal failure for Margaret, as Louis renounced his promises and the weakening of the Lancastrian cause. However, the growing disaffection of Margaret’s enemy York’s son Warwick, known as ‘the Kingmaker’, with the English king meant a new development in Margaret’s condition. Although Margaret initially refused to listen to Warwick when he journeyed to France, she was later encouraged to listen to his promises, agreeing to the marriage of her son Edward to Warwick’s daughter Anne Neville. Later sailing to England, Margaret’s cause fell irrevocably apart in 1471 following the brief return of her husband to the kingship. Margaret was informed of her son’s death in battle, something which must have meant her world fell apart. She was later brought in a carriage as a prisoner through the streets of London, followed by King Edward in his triumphant procession through London. Henry VI, her husband, was probably murdered that night in May 1471 in the Tower. The fact that both her husband and heir had died completely changed Margaret’s position, and the grief and shock she must have experienced is unimaginable.

Not much is known about Margaret’s final decade, but she died in August 1482, a tragic and obscure ending to an initially glittering career and eventual failure. She was buried in Angers Cathedral, neglected by her family, forced to renounce her claims to the Angevin inheritance by King Louis. Yet, as Dunn concludes, ‘of all medieval queens consort, Margaret has received some of the harshest criticism from both contemporary commentators and later historians’, which Maurer of course exemplifies through criticising conceptions of Margaret as a ‘bitch’ and ‘she-wolf’.[18] Dunn’s conclusion is compelling: ‘... she was subsequently forced, by political circumstance and the weakness of her husband, to take on a much more active role in politics in order to protect both her own position and that of her son’.[19] Yet, to most people, like Isabella queen of Edward II and Anne Boleyn, Margaret remains a ‘she-wolf’, an unnaturally ruthless and powerful queen consort who meddled in politics enthusiastically, a place not fit for a medieval woman. Surely we should alter our views of her and recognise her for what she was: a strong, intelligent, pragmatic woman who sought to preserve her family’s inheritance and retain stability within the English monarchy. Her husband’s madness and the factional discontent and corruption pervading the court can hardly be blamed on her. It is time to reappraise our views of this mysterious, but notorious, queen of England.






[1] H. E. Maurer, Margaret of Anjou: Queenship and Power in Late Medieval England (The Boydell Press, 2003), p. 1.
[2] R. A. Griffiths, The Reign of Henry VI (Berkeley, 1981), quoted in Maurer, Margaret of Anjou, p. 2.
[3] Maurer, Margaret of Anjou, p. 3.
[4] R. M. Warnicke, The Rise and Fall of Anne Boleyn: Family politics at the court of Henry VIII (Cambridge, 1989), p. 57.
[5] C. Byrne, ‘Katherine Howard and the Importance of Gender History’, The Historian 2 (March 2013), 58-62; also available on www.thehistoryfiles.com/katherine-howard-and-the-importance-of-gender-history/1100/.
[6] Maurer, Margaret of Anjou, pp. 4-5.
[7] Ibid., p. 4. See also my article on Katherine Howard for similar points.
[8] Diana E. S. Dunn, ‘Margaret [Margaret of Anjou] (1430-1482), queen of England, consort of Henry VI’, Oxford Dictionary of National Biography (2004).
[9] Maurer, Margaret of Anjou, p. 17.
[10] Dunn, ‘Margaret, queen of England’. 
[11] Dunn, ‘Margaret queen of England’.
[12] CSP, Milan, p. 19, quoted in Maurer, Margaret of Anjou, p. 23.
[13] Dunn, ‘Margaret queen of England’.
[14] Warnicke, Anne Boleyn.
[15] Dunn, ‘Margaret queen of England’.
[16] Ibid.
[17] Ibid.
[18] Ibid, Maurer.
[19] Ibid.